March 19, 2012 § 3 Comments
All last week Chris and I suffered through the first four seasons of Mad Men, a show that apparently lots of people like. And I have to say, I was impressed — I didn’t think something that offensive could be so BORING, but Mad Man has it down to a pickled-liver, woman-hating, a-total-of-six-things-happens-in-the-entire-show science. …Bravo?
Here, enjoy this video Chris made!
January 27, 2012 § Leave a comment
God I’m a sucker for this dogfriend shit.
December 29, 2011 § Leave a comment
Last night Chris and I finished catching up with Once Upon a Time –which surprisingly is a very good show, with excellent, well-dressed villains, and starts airing new episodes on Jan 8, check your local listings– so had to scrounge around for alternative shit to watch. Dexter was too much of a time commitment, and CERTAIN people have a limited tolerance for real life murdershows, and Ahh! Real Monsters was still downloading, so instead we watched documentaries on YouTube, like normal people.
The above vidya is one of the things we watched, a brief history of the Amen Break — which I promise you all know very well even if you don’t know you know it. As an added bonus Nate Harrison (the disembodied voice guy/filmmaker) unpacks and puts the righteous hate on current copyright law, oh what fun!
This of course led to discussions of other ubiquitous but rarely-isolated sounds, specifically screams.
Although I must say, I prefer the scream officially known as “Man, Gut-Wrenching Scream and Fall into Distance,” also known as the Howie Long Scream or simply the “Youraagh.”
Learning! TASTES GOOD DOESN’T IT.
In No Way Safe for Work and/or Life, Depending on the Person, or, An Open Love Letter to the Internet
November 6, 2011 § Leave a comment
My yesterday was easily the best –one of the best if you count ROFLshit– days I’ve had in a long time, due to the confluence of ART and INTERNET. My amazing unsinkable honeybadger of an advisor invited me and Brucce over for dinner and absolutely no work allowed; we were joined by her husband and son and son’s two friends. We had a shitton of supplies, including the most nightmarish doll-baby face mold I’ve ever seen, which made me happier than I could possibly say. As we worked on our respective projects we took turns playing our favorite YouTube videos, which as you can imagine (as anyone who knows us could imagine) got pretty NSFW pretty fast. Videos related, it’s our top picks, and by “top” I mean the videos that were replayed the most and/or elicited the most laughter.
The boys wouldn’t stop playing this song, which was disturbing (who am I kidding, I thought it was hilarious) on a number of levels:
I’m very sorry in advance (no I’m not):.
You’re gonna go to Hogwarts and do spells and shit, and you’re gonna be fucking pleased about it, also you’re are a wizard:
I’m sharing this because…well because I want to, but also because it reminds me of something Henry Jenkins wrote in the afterward to YouTube — namely that YouTube is indeed a game-changer, but not because it actually changed the game. Instead, it provided tools for people to broadcast the games they were already playing. As Jenkins explains, people have always remixed existing culture, and people have always created their own big and little and underground sub culture(s), and people have always shared the resulting output; that’s one of the things we’re good at, as humans. What YouTube allows users to do is go public with their private malfunctions (I say “malfunctions” with great appreciation). The site wouldn’t have caught on without existing interest, and/or existing need — it was a market just waiting to be tapped.
My particular market, which consists of all that is WAT (and has since before I ever even heard of computer, back when I was the sweariest girl on the playground), is hardly exclusive to me or to my family — as evidenced by the crush of bizarre, NSFW/L shit that gets posted to YouTube, for no other reason than because people can. As I’ve argued elsewhere re: the post ironic (or whatever I’d call it these days, “post irony” was so 2009) undercurrent of so much internet humor, the NSFW/L imperative functions as a feedback loop, as weird shit tends to beget further, and ever-weirder, weirdness. But if the aesthetic didn’t already exist, if there weren’t already an attraction to dirtwork and dickjokes, there would be no audience to fortify and spread and augment the weird. As always, and providing yet another reason I fucking love the internet, platform and proclivity feed into and strengthen each other. Poopoo the resulting poop humor all you want, but the process is amazing and to this little slop-farmer at least, strangely inspiring.
September 27, 2011 § 1 Comment
As I mentioned the other dia, I have
100 94 selections to muscle through before my final actual last GD exam, jesus. The process for orals is different than the breadth lists, is more about thematic connections than specific textual detail (not that I don’t need some of that too, but the exam is framed as a conversation as opposed to a time-crunched written thing), so each selection will just get a keyword summary (for quick scanning in the direct lead-up to the exam) which I’ll then follow with a more open-ended discussion about some related question or counterpoint or whatever I feel like, it’s my dumb blog & I’ll do what I want.
Youtube, Jean Burgess and Joshua Green (with contributions by Henry Jenkins and John Hartley), 2009
The business of meta-business! Participatory culture! Circulatory value! Embed that shit! Reeeemiiixxx! Grassroots! Astroturf! DMCA! Generativity! Vlog your heart! Bullies and flames! lonelygirl15! You nostalgia you lose! To YouTube or not to YouTube! I see white people!
Mark Andrejevic, “Exploiting Youtube: Contradictions of User-Generated Labor,” The YouTube Reader (2009)
Intellectual property rights! Desire for control! Divergent conceptions of value per a highly convergent medium! The question of exploitability! “The interactive information economy” wherein interactive participation runs up against entrenched economic models!
Malin Wahlberg, “YouTube Commemoration: Private Grief and Communal Consolation,” The YouTube Reader (2009)
Memorial video tributes! Vernacular memory! Online grief culture! An American phenomenon stemming from funeral as mega-industry! “A Grotesque Corpus of Sentimental Kitsch!” Cancer and suicide = most popular! Formal consistency! “Perverse voyeurism!” The problem of bullycide! WAIT A SECOND, SOMETIMES AGGRESSIVE NON-COMPASSIONATE RESPONSES?????
Patricia G. Lange, “Videos of Affinity on YouTube,” The YouTube Reader (2009)
Attention as (social) capital! Metrics of (temporal) value! As expressed through the creation/consumption of “videos of affiliation!” Micro-negotiations of attention! Via online affinity frameworks! And emotional interpolation! Home-mode communication! Phatic/contact communications! (Dis)embodied self-referentiality!
So those were my readings, now let’s sit by the fire and chat hmm?
Today’s magic moment hails from “What Happened Before YouTube,” Henry Jenkins’ contribution to YouTube: Digital Media and Society Series. As he argues, YouTube may be a relatively new platform but it certainly doesn’t represent a new set of behavioral practices. People have been mixing and mashing and self-publishing for decades, sometimes online, sometimes on kitchen tables, but always in the service of some larger group ethos. Participatory/remix culture(s) weren’t engendered by YouTube, in other words; rather, the success of YouTube was and remains dependent upon the preexistence of participatory/remix culture(s). Without a built-in audience for the weird and wonderful crap people do, there’d be no point to throw it online. Is the basic idea.
This was nicely backwardsing, another one of my fav-or-ite things, but the most interesting section (to me) came later, in Henry’s discussion of the limitations, or at least the (potential) ethical/interpersonal/political ambivalence, built into home-brewed content — particularly in terms of decontextualization. I immediately thought of Bed Intruder, maybe not the most obvious place for my brain to go, but a place my brain has gone many times before (lolwat). I’m assuming that anyone who’d take the time to read this blog would be well-versed in the Dodson affair, but you know what they say about assumptions. Before I give any background, though, here’s the VIRAL VIDYA, which now that I think about it is actually the appropriate place to start (in that it’s entirely the wrong place to start, but more on that in a minute):
YOU GUYS THIS IS SO FUNNY, is it any surprise the video’s amassed over 90 million hits? I mean it’s comedy gold. Because “hide yo husbands???” LOL MEN DON’T GET RAPED. And Antoine Dodson? What a lulz cow! I mean! What crawled up his weave amirite? Actually this (there may be an ad, sorry):
To recap: some guy broke into a house and tried to rape the woman inside. The local news showed up and interviewed the woman’s brother, who was still very upset. Ha…ha? Apparently so, since the story, particularly Dodson’s imprecation, became immediate remix fodder — thus accomplishing the truly Herculean task of making a punchline out of rape, poor people, black people and gay people. Cool story indeed! But calm down grandma, I’m not about to wag my finger at all the (ahem probably mostly straight/white/haven’t-been-raped) people who took some form of pleasure in the original newscast, remix and/or subsequent meme-cluster. Myself very much included, I mean let’s be honest, the world is a slippery beast.
What I am saying is that context is an awful easy thing to lose online. This can be a good thing, this can be a bad thing, this can be an entirely indifferent thing. It really depends on what side of the fence you happen to be standing on, for example if it was your house that was broken into, or your sister who was nearly assaulted. Regardless, the magical disarticulations of online content has a very clear and very immediate impact on both the reception and (re)creation of content — which at the very least is something to consider.